Day 5

DAY 5

Hear from leftover Shopping Lists--

-Discuss Chapter 3
            -adding the hero into the logline-- It's about a someone who . . .
            "the who has to serve the 'what it is it' "
             the primal urge is to see the characters end up winning
             we want characters who
                     - offer the most conflict
                     - have the most growth
                     - and are most demographically pleasing (four-quadrant)
          HERO
               - primal objective (save family, stay alive, find true love) (also HIGH STAKES)
              -OATOS

Snyderian Archetypes  
"good girl tempted"
"clever and resourceful child"
"sex goddess"
"the hunk"
"wounded soldier in need of redemption"
"troubled sexpot"
"loveable fop"
"court jester"
"wise grandfather"

JUNGIAN ARCHETYPES 
And MORE on JUNGIAN ARCHETYPES

Ensemble pieces: the "place" is hero

"The logline is your story's code, its DNA, the one constant that has to be true."

WRITING EXERCISE:
    IMPROV: park bench (contrasting characters)
   Writing Dialogue for scene-- LOOK AT SCRIPT FORMAT


HW:
ADDITIONAL WRITING: Deciding on "Genre" and "adjective + hero" for your script--  WRITE Your Killer Logline
 (continue with anything above not completed)
+ Chapter 4